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Showing posts with label comic convention. Show all posts
Showing posts with label comic convention. Show all posts

Tuesday, April 17, 2012

Comics Experience - C2E2 Report!

The 2012 C2E2 Convention was another great one for Comics Experience staff, alums, and Creators Workshop members!

On Friday, Comics Experience founder Andy Schmidt (former Marvel and IDW Editor) and our art instructor (and pro penciler) Robert Atkins held two art-focused panels: Comic Art and Storytelling and Building Your Art Portfolio.

In the Storytelling panel, the panelists discussed the elements of "Visual Success," from communication and action, to dynamics. There was also conversation about how to "read without words," the concept of active reader participation, and even the topic of photo reference. You can read a more detailed account of this panel on CE alum Joe Sergi's Cup of Geek website.

In the Portfolio panel, Andy and Robert discussed all the ins and outs of building and showing your portfolio -- what to include, what to exclude, and even how to physically present it!

Also, quite a number of Comics Experience alums were in attendance, and several were exhibiting, including Amy Chu (alum & Workshop member) showing off Meridien City (1 and 2 in one volume!) and Girls Night Out. And artist and alum Carl Peterson was another member displaying his artwork in Artists Alley!

Of course, no major convention would be complete without a Comics Experience meet-up, which took place Friday after the panels.

The meet-up was attended by (clockwise, from left): Amy Chu, Jim Murray, Andy Schmidt, Joe Sergi, Brian Gilman, J.D. Oliva, Craig Schmidt, and Carl Peterson, as well as (not pictured here) Robert Atkins and Paul Allor.

We hope to see you at the next convention!



If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Thursday, April 12, 2012

Comics Experience at C2E2!

If you're going to the C2E2 Convention this weekend, make sure to check out the Comics Experience panels, as well as exhibiting instructors, alums and Workshop members!

Here's where you can find everyone:
  • Art instructor and pro penciler Robert Atkins will be exhibiting at table N5
  • Writer Amy Chu (alum & Workshop member) will be at table D6, with copies of her comics Meridien City (1 and 2 in one volume!) and Girls Night Out. That latter volume is edited by CE staffer Paul Allor, who will also be in attendance at the show.
  • Artist Carl Peterson (alum and Workshop member) will be at table A14.
  • Writer and IDW Editor Bobby Curnow (alum and pro critiquer on the Workshop) won't be there in person, but you can pick up an ashcan preview of his new Battle Beasts series at Diamond Select Toys, booth 311.
Plus, don't miss our panels hosted by Comics Experience founder, and former Marvel and IDW Editor, Andy Schmidt along with Robert Atkins!
Comics Experience: Comic Art and Storytelling
Friday, April 13, 2012
2:45 PM - 3:45 PM in Room N426b
The greatest Comic book minds of our time divulge the greatest secrets of all time. Join us for the top tips for telling a clear and great story in comics. How, as an artist, do you approach great looking art and telling a story? How's it different from illustration work? What is the process used by most working professionals? These insights are not to be missed.

Comics Experience: Building Your Art Portfolio
Friday, April 13, 2012
3:45 PM - 4:45 PM in Room N426c
The most useful panel you’ll ever attend as an artist. Let’s cut through everything else and get right to getting you work! How to prepare your portfolio: what to include, where to get good scripts to draw from, what NOT to include, and how to handle a portfolio review in a professional manner (in other words, how to turn a negative into a positive!).
We hope to see you there!



If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Wednesday, February 29, 2012

iFanboy's "Making Comics" with Andy Schmidt Podcast, Episode #11 posted!

The eleventh episode of iFanboy's Making Comics with Andy Schmidt podcast has been released!

In the eleventh episode, iFanboy host Josh Flanagan and former Marvel and IDW Editor (and Comics Experience founder) Andy Schmidt discuss the "Artist Portfolio".

As explained over on iFanboy:
"An artist trying to break into comics relies on their portfolio, either physical or digital,...But what should the portfolio highlight?...Andy breaks down what editors are really looking for."
Check out this new episode, plus all of the previous ones on iTunes, or listen to them right here:

Listen to Episode #11, "Artist Portfolio"

Listen to Episode #10, "Inspiration"

Listen to Episode #9, "Online Networking"

Listen to Episode #8, "Building A Page"

Listen to Episode #7, "Professionialism"

Listen to Episode #6, "The Comic Book Script"

Listen to Episode #5, "Convention Networking"

Listen to Episode #4, "Good Feedback"

Listen to Episode #3, "Long Stories or Short Stories?"

Listen to Episode #2, "Finding Collaborators"

Listen to Episode #1, "Start Writing"


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Friday, December 2, 2011

Convention Panel Notes on the Creators Workshop!

If you're like me, you learn a lot from comic convention panels, especially those on breaking in, craft, and process. But no one person can get to every panel or every convention.

And while many panels get recorded these days, not all of them do, and sometimes you just want to review the highlights rather than listening again from beginning to end.

Well, one of the many features of the Comics Experience Creators Workshop is a "Convention Panel Notes" thread where members share their notes from sessions related to making comics. In fact, going beyond conventions, we also have notes from various physical seminars and workshops from the past.

Want some examples? How about John Layman's Pitching Workshop, held in New York City in 2010? Or the Kickstarter panel from NYCC 2011?

We have notes from a Trickster writing seminar, held during SDCC 2011. And notes from panels on how to get news coverage for your comic from SDCC 2011 itself.

Plus, Breaking In panels, including the excellent one held by Scott Allie (Dark Horse) and Matt Gagnon (BOOM!) at this year's New York Comic-Con.

This is just one of the examples of a single thread from the Creators Workshop focused on breaking in and/or making comics.

If you want to make comics, write or draw comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshop and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Monday, October 31, 2011

GUEST BLOG: What George O'Connor Learned from the Convention Circuit

In this guest blog, writer George O'Connor, Comics Experience alum and Creator’s Workshop member, talks about the most important lesson he's learned from the comic book convention circuit this year.

Here’s what I learned from exhibiting at ten conventions this year:
If you dream of making a comic, DO IT!
Please, trust me on this. Get your butt in gear, make your book, go to some shows and DO IT. It’ll be so worth it.

For 20 years now, I’ve been doing DIY projects: CDs, short films, web series -- and doing the comic book Healed has been the most rewarding creative endeavor I’ve had yet. Comic book people just seem to be the nicest people and if you have a book that interests them, they’ll support you.

Maybe it’s the structure of comic conventions? Or that fans of the medium walk in with an open mind and WANT to find something new? Maybe it's because comics aren’t mainstream "cool," so we all band together to support each other. Maybe it’s the low dollar entry point, where people feel comfortable taking a chance for $2-$4? And maybe it just doesn’t matter.

Through Comics Experience, I’ve met dozens and dozens of creative people who have great stories and visions –- many I get to call friends –- and I want them ALL to experience the confidence, excitement, and enthusiasm I got to feel this last year...
  • People buying all four issues of Healed just based off the pitch.
  • People buying two issues and then coming back later and saying, "I read the first two issues and I NEED the next two."
  • People remembering the book from last year and wanting to know what new issues are out.
  • The kid who *ran* up to our booth because he couldn’t wait to buy new issues and his friends saying, "He wouldn’t stop talking about your book the whole drive up here."
I want ALL OF YOU to experience that. There is nothing like it in the world. And there has never been a better time to make your book and get out there.

Print-on-demand services make small print runs possible. You can bypass the whole printing process completely and put your book on the web or available through Graphic.ly. And if you’re part of the Comics Experience Creators Workshop, you’ve got an incredibly supportive group to fall back on and learn from. (Look, I’m not just shilling Comics Experience; it’s the honest truth).

Do it. Do it. Do it. Use my little wins as the fuel to get out there and make your own victories. Talk to other creators and learn from them and get excited. There’s no reason to wait. You don’t have to get anyone’s permission.

If you have a story to tell, there’s someone out there that wants to read it. And there is no better feeling.

That’s what I learned from going to ten cons this year and I want to see YOU behind the table with me in 2012!

-- George O'Connor

George likes to write. A lot. He’s currently writing the ongoing comic series, "Healed," for Homeless Comics and has contributed stories to several anthologies published by Elevator Pitch Press. He was also the creator behind the webseries "664-The Neighbor of the Beast." And somehow he also juggles playing guitar in his metal and punk rock bands. By day, George is a mild-mannered copywriter in the advertising world. He once put a truck on the moon.


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Thursday, October 20, 2011

GUEST BLOG: Gerald von Stoddard on Coast City Comicon!

In this guest blog, Gerald von Stoddard, Comics Experience alum and Creator’s Workshop member, talks about the 1st Annual Coast City Comicon (November 12 & 13th), sponsored by the comic shop Gerald founded in Portland, Maine.

This November 12th and 13th, a dream that we had as fledgling comic shop owners is coming to fruition! Finally, after all these years, we will be hosting what we believe to be a real celebration of comics in all their glory: a true comic con!

Our inner nerds can barely contain themselves as the 1st Annual Coast City Comicon finally takes flight at the historic Eastland Hotel in downtown Portland, Maine.

It has always been Coast City Comic’s mission to support not just the mainstream, but the local/indie talent as well. This convention will maintain that same attitude; a real DIY event celebrating comics, pop culture, science fiction and vintage video games.

Comics Experience founder Andy Schmidt--former Marvel and IDW Editor--will be in attendance, discussing Comics Experience and participating in the Breaking Into Comics panel, which includes Womanthology creator, Renae de Liz and her artist-in-arms husband Ray Dillon as well as author Alex Irvine and Top Cow artist Chris Dibari.

There will also be a Self-Publishing 101 panel that was initiated and will be moderated by Comics Experience alum and Workshop member, George O’Connor. Many very talented locals and Comics Experience members will be part of this informative discussion on publishing one’s own work in today’s comic market.

In July, I joined the Comics Experience Creator’s Workshop, mainly due to being so impatient as I waited for the Intro to Writing class to begin. What I did not expect was to be welcomed so openly and warmly. It was here that I began to work out my first creator-owned comic, Deadboy.

Members were brutally honest and helped me give shape to the idea, and as a result, the first issue will be debuting at the Convention. I have also begun work with Workshop member, Ken Frederick, on a project titled AM.NESIAC and hope to be debuting our 6-page pitch as well. His awesome artwork can be seen as part of Workshop member Paul Allor’s creator-owned project, Clockwork.

In response to such support, I wanted to do something to give back what has been so freely given to me, so I have opened up a section for Comics Experience alumni and Workshop members to show off their creator-owned books at my expense. So far, our Comics Experience guests will include: Amy Chu (Meridian), George O'Connor (Healed), Janine Frederick (Awaken), Joshua Dahl (Rapid City), Ken Frederick (AM.NESIAC), and Rich Douek (Gutter Magic), in addition to Comics Experience founder, Andy Schmidt. If you’d like to come and be part of the Comics Experience Workshop tables, feel free to grab your schwag and head up to Maine and join us.

The festivities will be kicked off on November 11th with a special Nerd Rave featuring Portland sensation Waranimal at Space Gallery. There will also be a Drink and Draw at a local pub and all are welcome to attend. It will be a great way to meet some awesome local talent here in Southern Maine.

We’ll also be hosting the premiere of the remastered 35mm cut of Blade Runner in celebration of the release of Exegesis by Houghton Mifflin Harcourt and giving away all sorts of Phillip K. Dick books as door prizes! There will also be a PKD panel discussion with writer Alex Irvine, Zack Handlen of the Onion AV Club, Sam Pfeifle from the Phoenix, and others!

I hope to see as many of you as can make it. Just bring your awesome self’s and we will take care of the rest!

More info: Coast City Comicon

Gerald von Stoddard
http://www.rantingintongues.com
@gvonstoddard


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Wednesday, October 19, 2011

NYCC 2011 Con Report from Comics Experience

New York Comic-Con 2011 is now behind us, and what a great convention it was for the Comics Experience community!

We had more than 30 members in attendance, many of them exhibiting. We thought we'd share some of our highlights, as well as some thoughts from a few of our members!

On the convention panel front, Buddy Scalera's "Comic Book School" panels were a hit with creators, covering just about every aspect of the creative process.

In particular, the Writing: Story Structure panel, moderated by Comics Experience founder, Andy Schmidt, was literally standing room-only, as shown here in Buddy's pictures of the event.

Panelists included Jimmy Palmiotti, Daniel Way, David Hine, and Christos Gage, discussing how they structure, outline, and write their stories.

Meanwhile, on Friday night, Workshop member Brandon Seifert was a panelist on the well-attended Ain't It Cool News Horror panel, dicussing his runaway hit from Image/Skybound, Witch Doctor. We can't wait to see more from you, Brandon!
 
Speaking of panels, during the Breaking In panel hosted by Scott Allie (Dark Horse) and Matt Gagnon (BOOM!), Comics Experience alum and Workshop member, Paul Allor, got an unexpected shout-out. Scott began discussing how a particular writer had recently gotten his attention by sending his new trade paperback to many editors at Dark Horse. Scott turned to Matt and said, "I bet you know who I'm talking about," and Matt replied "I sure do, everyone got it at BOOM!, too". When they discovered Paul was in the audience, he received a round of applause from the audience, as Paul held up a copy of the trade paperback in question, Clockwork, Volume 1. At which point, Scott Allie said "Paul should be up here teaching this panel." Nice job, Paul!

And on the Convention Exclusive front, NYCC saw the debut of the Hasbro Micronauts Unit:E book, written by Comics Experience founder, Andy Schmidt, with art by Comics Experience art instructor, Robert Atkins and lettering and production by Comics Experience lettering instructor, Dave Sharpe. We hear the book was a huge hit, so we hope you got yours there!

Friday night, Mulligan's, the old Marvel hang-out, was the site of the Comics Experience Meet-Up, attended by many alums, Workshop members, and friends. We took over a good bit of Mulligans into the wee hours, with much food, drink and comics talk. Here's a few pictures, which we'll also be posting to the Comics Experience Facebook page soon.

 
 


Those pictured above include: Rob Anderson, Jason Cutcher, Kevin Byrne, Rich Douek, DaFu Yu, Jeff Marsick, Neil Fisher, Richard P. Clark, Blake Campbell, Ken Frederick, Gerald Von Stoddard, Andy Schmidt, James Murray, Janine Frederick, Paul Allor, Joey Groah, Dan Rivera, and Bill Yurkas, plus Joe Sergi who somehow missed all the pictures.

In addition to all the folks mentioned above, the following alums, instructors, and Workshop members were also in attendance at NYCC 2011: Carl Peterson, Chris Beckett, Chris Murphy, color instructor Chris Sotomayor, lettering & production instructor Dave Sharpe, Elizabeth Amber Delaney, Eric Drumm, Gannon Beck, George O'Connor, Joshua Dahl, Kevin Villa, Matt O'Keefe, Monika Smyczek, Paul Littell, Scott Dubin, Sean Flahaven, and Shaun Noel.

But enough from us! Let's hear from some of those Comics Experience alums and members.

Amy Chu:
"NYCC was one of the more surreal experiences I've had (in a good way, of course). I would say we had an outstanding first time convention experience, largely due to meeting a number of Comics Experience people for the first time and getting to hang out with everyone.

"Georgia Lee and me having dinner and drinks with Axel Alonso, Joe Quesada, and CB Cebulski, as part of the "Dinner with Marvel" event, had to be right up there on the list. CB and Joe were also nice enough to invite us to go with them to the iFanboy party Friday night. Also, meeting Mike Marts from DC was a highlight.

"Pretty much all our goals were met, and then some. Reconnected with other creators I met and liked from SDCC and C2E2, got our book, Meridian, into the hands of some key people, and met a lot of other writers."

Paul Allor:
"This was my first major convention, and I had a great time meeting with editors and fellow creators. There are so many extroardinarily talented people in this business, and I left feeling energized to create more comics!"

Rich Douek:
"I had a great convention... I sold about 30 books, and had great conversations with editors from Archaia, Dark Horse and BOOM! Studios. Definitely helped me figure out where to go next with Gutter Magic."

Janine Frederick:
"I made new connections with creators I'd never had the pleasure of meeting before, and discussed my project, Awaken, with people at Oni Press and Avatar Press. I also discussed with Dan Didio the possibility of having him at a future speaking engagement at Monmouth University!

"Having Awaken at the table gave me the ability to assess the reactions of all different people who were curious enough to look at the 5-page preview or ask about the story. The largest positive response came from the female 20-something crowd. The second most "into it" crowd were males in their early to mid 30's. Awesome... I now truly know the demographic for this story and plan to start a Kickstarter campaign."

DaFu Yu:
"I enjoyed meeting fellow Comics Experience alumni and reading each of their unique comic books. They have inspired me to continue to do my best when I create my own comics."

Joshua Dahl:
"I talked to a lot of press people. I put my book in Axel Alonso's hand....in Andy Schmidt's hand...and in the hands of one notable comics journalist who knew me already by reputation. I talked to a lot of people and had a great weekend in general."

James Murray:
"My highlights include shaking Stan Lee's hand, talking with Troma's Lloyd Koffman, and with Len Wein, lots of networking, and meeting Andy and CE folk in person for the first time. And, in general, I was happy to be back in NYC for the first time in 5 years. Had a few good nights out seeing great music on Bleeker street, too."

Jason Cutcher:
"Met Daniel Cooney, who was my comics writing teacher at the Academy of Art University. He's a guy who is really making it as a small press publisher, with Valentine and Tommy Gun Dolls. He's been distributed through Diamond for 10 years, and has a movie option. So meeting him and getting some words of encouragement on my projects really went a long way. Also, had fantastic discussions with Archaia regarding two projects, met Lauren Sankovitch of Marvel, and spoke with a Diamond Vendor representative."

Joey Groah:
"Meeting and re-connecting with CE forum members totally made the con. Too many moments of thoughtfulness and camaraderie throughout the weekend to list. The "rising tide" mentality of people in our community is evident.

"And being able to talk business with members too, in terms of how to approach exhibiting at a con and how that could affect your publishing plans and products. I appreciate the chance to hear how people are looking at the business side of comics in addition to the creative work.

"Personally, the feedback on my pitch comic, Dry Seasons, was flattering and encouraging. And now I'm re-writing pitch documents..."

Paul Littell:
It was great to meet several Comics Experience members in person for the first time, and to get to say hello to others again. I met at least a couple of members with whom I look forward to collaborating. I picked up a lot of good stuff at Andy’s panel, and at the other panels run by Buddy Scalera. He runs a great show, pulls great guests (like Andy), and always sends you away a lot more informed and maybe sometimes a little smarter. I also made a point of saying hello/starting a relationship with editors at several publishers. So, all in all, I’d have to call it a big success."

Jeff Marsick:
"I had a fantastic con with record-setting sales on two of my properties, Z-Girl and the 4 Tigers and the series debut of Dead Man's Party, which on Saturday actually outsold all five of my other offerings. It was an ego boost and a validation of my creative teams' talent and quality of product when a marketing exec at a major publisher, a well-known pro like David Mack, and even a Diamond rep stopped by (all unsolicited), checked out the books and said 'Wow. This is really good stuff.'"

George O'Connor:
I was hoping to meet editors at Oni and Archaia and was able to do that fairly early on. Both Charlie Chu (Oni) and Rebecca Taylor (Archaia) were very helpful and easy to talk to about their submission guidelines. As a bonus, I got to meet Stephen Christy from Archaia later in the weekend and again, just a really nice guy. My friend Matman from Secret Identity Podcast introduced me to Sarah deLaine from Image and we had a great conversation about comic book marketing. And I got to catch up with Lauren Sankovitch at Marvel, who not only secretly runs the joint but is a very sweet person, too. Creator-wise, both Jim Zub (Skullkickers) and Justin Jordon (Luther Strode) were incredibly generous with their time as we talked Image, books, and marketing. And, finally, I have to give huge thanks and credit to my fellow Comics Experience members who helped Healed sell out by the end of the Con. All-in-all it was a very successful show.

Joe Sergi:
A few of my favorite things: seeing everyone at the Meet-Up -- it is great to put faces to the Workshop forum; selling out of Great Zombies in History 1 and 2; watching Dan Slott reenact the Marvel movie panel at Jim Hanley's Universe after the show one night; being interviewed by podcasts, vodcasts, and newspapers about our books; having someone who bought books earlier come up to me during lunch to tell me how much they liked my stories, and racing through the streets of DC at 4 am with Rob Anderson as we went home."

-------

Great convention, everyone! See you at the next one!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Wednesday, July 20, 2011

Convention Tips from Chris Sotomayor

At the next Comics Experience Creators Workshop live session, Comics Experience founder Andy Schmidt will discuss the art of pitching, providing practical tips and solid advice gleaned from his years of experience as an editor at Marvel Comics and IDW Publishing.

These sessions take place every month, giving members real-world knowledge that will help them succeed in their comics career. In last week’s live session, renowned colorist Chris Sotomayor led a discussion on making the most of comic book conventions.

Sotomayor shared a ton of information with Comics Experience members, and spent two hours answering their questions about nearly every aspect of comic book conventions.

A few of the topics he touched on were how to plan for a convention, what to bring with you, how to look and who to talk to.

How to Plan
Sotomayor noted that conventions mean a lot of different things to different people. But no matter what your goals are, it helps to be organized. He recommended going in with a plan of attack. Have a map of the show floor so you don’t get lost in the shuffle. Know which panels you want to attend and which editors will be there. And follow the publishers’ guidelines about portfolio and script reviews.

What to bring
Sotomayor recommended having all your physical materials in order before attending the con. He noted that for artists, it’s good to have a physical portfolio. However, he said, this does not necessarily need to be a binder. Instead, many artists are displaying their work on tablets such as the iPad, making it easier for editors and artists to scroll through the portfolio, isolating certain aspects of the artwork.

“It’s a handy way to have all of your materials with you all at once,” Sotomayor said.

For writers, Sotomayor said it can be helpful to bring a published comic, to show editors that you’re serious about your craft, and have worked on putting a project together. He said these comics aren’t often read on the convention floor, but are sometimes read after hours.

“You’d be surprised how many comics professionals unwind by reading a couple ofcomic books before they go to bed,” he said.

Whether you’re an artist or a writer, Sotomayor said to make sure your leave-behinds are in a portable format, and are easy to carry back to the office. He said that oversized materials will often be scrutinized and then discarded.

And, finally, have a nice business card, that stands out and will help an editor remember your conversation.

How to look
When meeting editors and colleagues, Sotomayor said, it’s important to be professional and presentable.

“That what editors and art directors want to hire,” Sotomayor said. “People who are professional, and conduct themselves in a professional manner.”

However, he said, this doesn’t mean you need to get dressed up. A nice T-shirt and jeans is fine, as is a polo shirt. He also noted that dyed hair and piercings will not deter you from finding work in comics.

“All the artists have been to art school,” he said. “They saw that stuff every day.”

Who to talk to
Sotomayor stressed that as important as it is to track down editors and talent scouts, it’s just as important to get feedback from other artists and writers, including both established professionals and fellow newcomers.

“Artists, start talking to other artists,” Sotomayor said. “Pick their brains, wander up and down artist’s alley.”

He also noted that if you can get a critique from artist Brian Stelfreeze, “that alone is worth the price of admission.”

Sotomayor also recommended that writers pay attention to artists who are trying to break in, but do not yet have a booth in artist’s alley. If you see someone in a portfolio line whose work looks good, approach them after their critique, and give them your business card.

“Giving a break to somebody trying to break in is a great thing to do,” he said.

This is just a small portion of the advice and guidance Sotomayor provided in this fantastic session.

A recording of the entire discussion will be available to Workshop members for a few weeks, so it's not too late to check out the full session. And there’s still plenty of time to sign up before next month’s session on pitching. We hope to see you there.

-- Posted by Paul Allor

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