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Showing posts with label NYCC 2011. Show all posts
Showing posts with label NYCC 2011. Show all posts

Wednesday, October 19, 2011

NYCC 2011 Con Report from Comics Experience

New York Comic-Con 2011 is now behind us, and what a great convention it was for the Comics Experience community!

We had more than 30 members in attendance, many of them exhibiting. We thought we'd share some of our highlights, as well as some thoughts from a few of our members!

On the convention panel front, Buddy Scalera's "Comic Book School" panels were a hit with creators, covering just about every aspect of the creative process.

In particular, the Writing: Story Structure panel, moderated by Comics Experience founder, Andy Schmidt, was literally standing room-only, as shown here in Buddy's pictures of the event.

Panelists included Jimmy Palmiotti, Daniel Way, David Hine, and Christos Gage, discussing how they structure, outline, and write their stories.

Meanwhile, on Friday night, Workshop member Brandon Seifert was a panelist on the well-attended Ain't It Cool News Horror panel, dicussing his runaway hit from Image/Skybound, Witch Doctor. We can't wait to see more from you, Brandon!
 
Speaking of panels, during the Breaking In panel hosted by Scott Allie (Dark Horse) and Matt Gagnon (BOOM!), Comics Experience alum and Workshop member, Paul Allor, got an unexpected shout-out. Scott began discussing how a particular writer had recently gotten his attention by sending his new trade paperback to many editors at Dark Horse. Scott turned to Matt and said, "I bet you know who I'm talking about," and Matt replied "I sure do, everyone got it at BOOM!, too". When they discovered Paul was in the audience, he received a round of applause from the audience, as Paul held up a copy of the trade paperback in question, Clockwork, Volume 1. At which point, Scott Allie said "Paul should be up here teaching this panel." Nice job, Paul!

And on the Convention Exclusive front, NYCC saw the debut of the Hasbro Micronauts Unit:E book, written by Comics Experience founder, Andy Schmidt, with art by Comics Experience art instructor, Robert Atkins and lettering and production by Comics Experience lettering instructor, Dave Sharpe. We hear the book was a huge hit, so we hope you got yours there!

Friday night, Mulligan's, the old Marvel hang-out, was the site of the Comics Experience Meet-Up, attended by many alums, Workshop members, and friends. We took over a good bit of Mulligans into the wee hours, with much food, drink and comics talk. Here's a few pictures, which we'll also be posting to the Comics Experience Facebook page soon.

 
 


Those pictured above include: Rob Anderson, Jason Cutcher, Kevin Byrne, Rich Douek, DaFu Yu, Jeff Marsick, Neil Fisher, Richard P. Clark, Blake Campbell, Ken Frederick, Gerald Von Stoddard, Andy Schmidt, James Murray, Janine Frederick, Paul Allor, Joey Groah, Dan Rivera, and Bill Yurkas, plus Joe Sergi who somehow missed all the pictures.

In addition to all the folks mentioned above, the following alums, instructors, and Workshop members were also in attendance at NYCC 2011: Carl Peterson, Chris Beckett, Chris Murphy, color instructor Chris Sotomayor, lettering & production instructor Dave Sharpe, Elizabeth Amber Delaney, Eric Drumm, Gannon Beck, George O'Connor, Joshua Dahl, Kevin Villa, Matt O'Keefe, Monika Smyczek, Paul Littell, Scott Dubin, Sean Flahaven, and Shaun Noel.

But enough from us! Let's hear from some of those Comics Experience alums and members.

Amy Chu:
"NYCC was one of the more surreal experiences I've had (in a good way, of course). I would say we had an outstanding first time convention experience, largely due to meeting a number of Comics Experience people for the first time and getting to hang out with everyone.

"Georgia Lee and me having dinner and drinks with Axel Alonso, Joe Quesada, and CB Cebulski, as part of the "Dinner with Marvel" event, had to be right up there on the list. CB and Joe were also nice enough to invite us to go with them to the iFanboy party Friday night. Also, meeting Mike Marts from DC was a highlight.

"Pretty much all our goals were met, and then some. Reconnected with other creators I met and liked from SDCC and C2E2, got our book, Meridian, into the hands of some key people, and met a lot of other writers."

Paul Allor:
"This was my first major convention, and I had a great time meeting with editors and fellow creators. There are so many extroardinarily talented people in this business, and I left feeling energized to create more comics!"

Rich Douek:
"I had a great convention... I sold about 30 books, and had great conversations with editors from Archaia, Dark Horse and BOOM! Studios. Definitely helped me figure out where to go next with Gutter Magic."

Janine Frederick:
"I made new connections with creators I'd never had the pleasure of meeting before, and discussed my project, Awaken, with people at Oni Press and Avatar Press. I also discussed with Dan Didio the possibility of having him at a future speaking engagement at Monmouth University!

"Having Awaken at the table gave me the ability to assess the reactions of all different people who were curious enough to look at the 5-page preview or ask about the story. The largest positive response came from the female 20-something crowd. The second most "into it" crowd were males in their early to mid 30's. Awesome... I now truly know the demographic for this story and plan to start a Kickstarter campaign."

DaFu Yu:
"I enjoyed meeting fellow Comics Experience alumni and reading each of their unique comic books. They have inspired me to continue to do my best when I create my own comics."

Joshua Dahl:
"I talked to a lot of press people. I put my book in Axel Alonso's hand....in Andy Schmidt's hand...and in the hands of one notable comics journalist who knew me already by reputation. I talked to a lot of people and had a great weekend in general."

James Murray:
"My highlights include shaking Stan Lee's hand, talking with Troma's Lloyd Koffman, and with Len Wein, lots of networking, and meeting Andy and CE folk in person for the first time. And, in general, I was happy to be back in NYC for the first time in 5 years. Had a few good nights out seeing great music on Bleeker street, too."

Jason Cutcher:
"Met Daniel Cooney, who was my comics writing teacher at the Academy of Art University. He's a guy who is really making it as a small press publisher, with Valentine and Tommy Gun Dolls. He's been distributed through Diamond for 10 years, and has a movie option. So meeting him and getting some words of encouragement on my projects really went a long way. Also, had fantastic discussions with Archaia regarding two projects, met Lauren Sankovitch of Marvel, and spoke with a Diamond Vendor representative."

Joey Groah:
"Meeting and re-connecting with CE forum members totally made the con. Too many moments of thoughtfulness and camaraderie throughout the weekend to list. The "rising tide" mentality of people in our community is evident.

"And being able to talk business with members too, in terms of how to approach exhibiting at a con and how that could affect your publishing plans and products. I appreciate the chance to hear how people are looking at the business side of comics in addition to the creative work.

"Personally, the feedback on my pitch comic, Dry Seasons, was flattering and encouraging. And now I'm re-writing pitch documents..."

Paul Littell:
It was great to meet several Comics Experience members in person for the first time, and to get to say hello to others again. I met at least a couple of members with whom I look forward to collaborating. I picked up a lot of good stuff at Andy’s panel, and at the other panels run by Buddy Scalera. He runs a great show, pulls great guests (like Andy), and always sends you away a lot more informed and maybe sometimes a little smarter. I also made a point of saying hello/starting a relationship with editors at several publishers. So, all in all, I’d have to call it a big success."

Jeff Marsick:
"I had a fantastic con with record-setting sales on two of my properties, Z-Girl and the 4 Tigers and the series debut of Dead Man's Party, which on Saturday actually outsold all five of my other offerings. It was an ego boost and a validation of my creative teams' talent and quality of product when a marketing exec at a major publisher, a well-known pro like David Mack, and even a Diamond rep stopped by (all unsolicited), checked out the books and said 'Wow. This is really good stuff.'"

George O'Connor:
I was hoping to meet editors at Oni and Archaia and was able to do that fairly early on. Both Charlie Chu (Oni) and Rebecca Taylor (Archaia) were very helpful and easy to talk to about their submission guidelines. As a bonus, I got to meet Stephen Christy from Archaia later in the weekend and again, just a really nice guy. My friend Matman from Secret Identity Podcast introduced me to Sarah deLaine from Image and we had a great conversation about comic book marketing. And I got to catch up with Lauren Sankovitch at Marvel, who not only secretly runs the joint but is a very sweet person, too. Creator-wise, both Jim Zub (Skullkickers) and Justin Jordon (Luther Strode) were incredibly generous with their time as we talked Image, books, and marketing. And, finally, I have to give huge thanks and credit to my fellow Comics Experience members who helped Healed sell out by the end of the Con. All-in-all it was a very successful show.

Joe Sergi:
A few of my favorite things: seeing everyone at the Meet-Up -- it is great to put faces to the Workshop forum; selling out of Great Zombies in History 1 and 2; watching Dan Slott reenact the Marvel movie panel at Jim Hanley's Universe after the show one night; being interviewed by podcasts, vodcasts, and newspapers about our books; having someone who bought books earlier come up to me during lunch to tell me how much they liked my stories, and racing through the streets of DC at 4 am with Rob Anderson as we went home."

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Great convention, everyone! See you at the next one!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Wednesday, October 12, 2011

Comics Experience Creators Exhibiting at NYCC 2011!

New York Comic Con starts tomorrow, and Comics Experience alums and Creators Workshop members will be everywhere.

By our last count on the Workshop forums, more than 30 members will be attending! And quite a number of folks will also be exhibiting at the show as well.

Comics Experience alum, Jeff Marsick will be at Booths 2950, 2951 and 2952, showing off his books Z-Girl and the 4 Tigers, Wendover, and Dead Man’s Party. You can check out Jeff's recent Guest Blog right here.

Alum and Workshop member, Shaun Noel, will be showcasing his book, City of Walls, which you can check out at Booth 2546.

Alum and Workshop member, Monika Smyczek, will be at Booth 3047 with Moxie Comics.

And Booth 2939 will have a slew of Comics Experience creators and books, including:

This is just a sampling -- stop by and check out all these booths and ask them about Comics Experience!


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Sunday, October 9, 2011

GUEST BLOG: Dan Rivera Offers Tips on Editing Anthologies!

In this guest blog, Comics Experience alum and Creators Workshop member, Dan Rivera, discusses his new project, Don't Be Afraid, and offers tips for editors of anthology projects. Dan will be at Booth 2939 at New York Comic Con, in the Small Press Section, so make sure to stop by!

In October 2010, the members of Elevator Pitch Press (comprised of a group of Comics Experience alums from the first online Intro to Comic Book Writing class) were talking about what to do next after our first release: Tales from the Comics Experience.

We decided to do an anthology of zombie stories married with historical events, and that led to the three issues of Great Zombies in History (GZiH) that came out earlier this year.

We also wanted to have another anthology that was tied to a singular theme. Many names were bandied about, and we settled on the theme FEAR. However, our energies were completely invested in the GZiH books, so “FEAR” fell by the wayside. Time passed and some of the EPP members had other commitments and had to pull out.

Last March, I attended C2E2 in Chicago and spent a fair amount of time in the Artist Alley and Small Press areas. After looking at the various books that were being sold (especially after having seen some of the finished GZiH stories), I felt that we at Elevator Pitch Press could put something out that would be just as good as anything being sold at that con.

Emboldened by a newfound confidence, I emailed the group and offered to take the lead. This was the first time that I took charge of anything since my high school yearbook.

Thankfully, working with these guys has been a pleasure. The level of professionalism in this group would impress any editor in the industry. Everyone got their stories to me in time for the book to be ready for New York Comic Con.

The hardest aspect of getting this book together was deciding on a title. After seeing the cover by Darick Robertson (Transmetropolitan, The Boys) and Richard P. Clark, the one thing that came to mind was...Don’t Be Afraid.

While I am no expert on editing, I did take away some important lessons from this experience:
  • When editing an anthology for and with other writers, try not to be a dictator. You must respect that the other creators have invested their time (and in some cases, money) into their stories, so they have as much equity in this project as you do.
  • If there is an aspect to the creative process that you are not completely comfortable with, don’t be afraid to ask for help. Graphic design is not a strength of mine, so I was able to get logo/lettering/design master (and Creators Workshop member) ET Dollman to help me lay out the book and get it to the right printing specs.
  • When developing a set of deadlines, give yourself some wiggle room because more often than not, there will be some hiccups along the way. An artist can flake out, a writer might want to tweak a line of dialogue, or life can just get in the way.
  • Communicate, communicate, communicate. I can’t stress enough how important this is. In fact, I feel this is an area that I must improve on for future projects. If something is holding things up, let the other creators know. If you think something in a scene doesn't work, let them know. It gives the creators confidence in you, and will result in a better product overall.
  • Find a printer that you are comfortable with. Do not settle for a printer solely because of one person’s recommendation. Make the extra effort to compare prices and turn-around time. Find out if they will provide a proof. You will be surprised at the varying degrees of customer service and overall product quality.
If you are attending NYCC, check out Don’t Be Afraid at the Elevator Pitch Press Booth -- #2939 -- in the Small Press Section.

Dan Rivera is on Twitter as @danriveraprime and can be reached via email at nuyoricansol@gmail.com. His webcomic, Platinum Falls, will be live in 2012.


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Tuesday, October 4, 2011

GUEST BLOG: Jeff Marsick on Becoming a Comics Creator with Comics Experience!

In this guest blog, comic book writer Jeff Marsick discusses his projects and the impact of the Comics Experience Introduction to Comic Book Writing class on his career. Jeff will be at Booths 2950, 2951 and 2952 in the Small Press area of New York Comic Con next week, so stop by and see him!

First there was Z-Girl and the 4 Tigers, a book about a monster-hunting special ops team of ancient Chinese warrior spirits led by a female zombie.

Then came the horror-meets-noir Wendover about private eye and a sheriff discovering a conspiracy of evil at a casino in Wendover, Nevada.

And next week’s New York Comic Con will see the debut of my THIRD self-published comic book, Dead Man’s Party about a hitman who puts a contract out on his own head.

Three completely different stories that I have written, drawn by three completely different artists, with three completely different looks and all existing because of one common denominator:

Andy Schmidt’s Introduction to Comic Book Writing at Comics Experience.

Had I never taken that course three years ago, none of these comics would exist. See, I’ve wanted to write comics ever since I could spell Mxyzptlk, yet always figured that I needed to know someone who knew someone who could teach me the secret handshake just to get in the door. Sure, there’s the legendary Brian Michael Bendis do-it-yourself story of makin’ it, but when you’re marriage-kid-career deep in life, the dream of creating comic books seems like a ship that’s already sailed.

When I’m asked about the Comics Experience course and why I think it’s so important for the fledglings or the merely curious to take it, I focus on two important points that you won’t find in the brochure: camaraderie and confidence.

Yes, former Marvel editor Andy Schmidt as your teacher is the major selling point. Yes, the guest instructors are the Twinkie’s cream-filled center. Yes, learning to write a story confined to five pages of real estate is not only Calculus III kind of difficult, but it is absolutely necessary if you are EVER to understand the mechanics of telling a tale in sequential panels.

But you take the course with other like-minded aspirants who are also hungry to learn the craft, which in itself creates something of a think-tank environment. Our class of strangers came together as the weeks ticked off and we were soon bouncing ideas off each other, poking holes in logic, and offering constructive advice for improving concepts and execution.

(I like to brag that my class had before-he-was-a-superstar Nick Spencer, fresh off the bus into the wilds of New York City. Now, while I wouldn’t OFFICIALLY take credit for being influential in his career, mine WAS one of the critiques on his five-page short story assignment, so…conclusions can be drawn.)

Writing is typically a solitary pursuit, but when you’re learning to write scripts in the comic book way, having a built-in support group is extremely helpful.

The most important takeaway from the class, though, is confidence. We all know that the roads to the halls of DC or Marvel or Dark Horse are paved with land mines and barriers that can’t typically be leaped with a single bound. Yet we’re all filled to bursting with tales we want to tell, stories we want to see in all the glory of multi-paneled pages. If the bigs won’t take a chance on you, well, that means your only option is to do it yourself.

Now, I’ve always been under the impression that Xeroxed ash-cans handed out at conventions to anyone with an opposable thumb was “self-publishing”, so I never really gave it much thought. The Introduction to Comic Book Writing course, however, changed all that, arming me with a rudimentary skill set and girding my conviction with a can-do spirit that I just had to explore.

I found myself an artist and co-creator, and Z-Girl and the 4 Tigers was born. Well now, that wasn’t so bad, so how about I give it a go with another concept and voila: Wendover. Wait. Wait! I have a killer concept. Literally. I’ll call it Dead Man’s Party. And if I can find the right artist, well, I’m enough of an overachiever to give a fourth series a go.

The point is that there is no way I would have gone for a first series had I not taken Andy’s Intro course. But I walked out of it knowing I could create the kind of comics that people would want to read, the kind of comics that fill in the blanks of what’s already out there, that are the adventures and mysteries that I would want to read if someone else was writing them. I have created professional-looking books, can pitch to editors and publishers like an industry veteran, and see my books on store shelves from coast to coast. And I have Andy Schmidt to thank for it.

Have I made mistakes? You betcha (and one of these days I might actually learn from a couple of them). Is self-publishing stressful and sometimes financially hard to justify given the economic environment? Absolutely. If I had a cosmic treadmill, would I go back and undo it all and just remain a bystander and reader of comic books?

No. Way.

If you want to be a comic book creator, the Introduction to Comic Book Writing course at Comics Experience is without a doubt the best money you’ll spend.

Jeff will be at Booths 2950, 2951 and 2952 in the Small Press area of NYCC next week.


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Monday, October 3, 2011

Panels for Comic Creators at New York Comic Con 2011

New York Comic Con 2011 (October 13-16) is only ten days away, and if you're interested in making comics or breaking into the industry, then don't miss Buddy Scalera's "Comic Book School" panels, including one panel moderated by Andy Schmidt, Comics Experience founder, and former editor and writer at Marvel and IDW!

Andy will be moderating the Writing: Story Structure panel on Friday, and here's all the details:
Writing: Story Structure
Friday, October 14
3:45 pm - 4:45 pm
Room 1A03

Speakers: Andy Schmidt, Buddy Scalera, Daniel Way, David Hine, Jimmy Palmiotti

Learn how to structure a complete issue from beginning to end. Pace, panel breakdown, and story arc discussed by professional writers who work for mainstream publishers like Marvel, DC, Dark Horse & more. Panelists include: Jimmy Palmiotti – comic book writer, The Pro, Powergirl, Jonah Hex; Daniel Way – comic book writer, Deadpool, Wolverine; David Hine – comic book writer, District X, The Bulletproof Coffin. Plus, a surprise pro writer, not yet announced. Hosted by Buddy Scalera of Comic Book School and moderated by former Marvel and IDW Editor and writer, Andy Schmidt of Comics Experience.
We are also pleased to announce that the surprise pro writer will be Christos Gage, writer of Avengers Academy (Marvel), GI Joe: Cobra (IDW), Area 10 (Vertigo), Absolution (Avatar), and the new hit Angel & Faith series from Dark Horse!

Don't miss what's sure to be an informative (and entertaining) writing panel!

But if you're interested in making comics, there's much more!

Don't miss any of Buddy Scalera's NYCC 2011 panels. If 2010 is any indication, Buddy's line-up of "Comic Book School" panels will be excellent again this year:
Editors on Editing
Fri. Oct. 14
1:15 pm - 2:15 pm

Comics, Hollywood - What Creators Need to Know
Fri. Oct. 14
2:30 pm - 3:30 pm

Writing: Story Structure
Fri. Oct. 14
3:45 pm - 4:45 pm

Penciling: Storytelling on the Page
Fri. Oct. 14
5:00 pm - 6:00 pm

Creator Connection
Fri. Oct. 14
6:15 pm - 7:15 pm

Coloring: Digital Techniques
Fri. Oct. 14
7:30 pm - 8:30 pm
See the full details on the NYCC website, right here, and we hope to see you there!


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

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