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Showing posts with label Richard P. Clark. Show all posts
Showing posts with label Richard P. Clark. Show all posts

Tuesday, August 14, 2012

CE Alums to Launch "Deluge" with Moonshot Digital Comics!

On July 29, 2012, MoonShot Digital Comics announced that a project by two Comics Experience alums -- writer J.D. Oliva and artist Richard P. Clark -- would be amongst the first to launch its new digital comics product line.

The project, titled Deluge, is a crime thriller set in New Orleans in the immediate aftermath of Hurricane Katrina.

In the story, an undercover FBI agent tries to outrun a group of rogue cops who have taken to the flooded streets, picking off stranded criminals.

In an interview with the website Pipedream Comics, J.D. explained the origins of the idea:
I was shooting a short film in New Orleans in the summer of 2008 and while at a bar one night the locals started telling Hurricane Katrina stories. One of them was about a group of cops who decided to pick off criminals stranded on their rooftops.

That story always stuck with me, but it took me a few years to figure out how to make it work beyond just the concept. Then in the summer of 2010 while in Andy Schmidt’s Comics Experience Advanced Online Writing course, I had to come up with a miniseries pitch and that was the first thing that popped in my head
...
Deluge was the subject of a successful Kickstarter project which raised more than $6,000 at the end of 2011.


J.D. is a writer and documentary filmmaker from South Elgin, Illinois. He's directed several short documentaries and three feature length documentaries. J.D. wrote a Comics Experience guest blog on Deluge back in late 2011 which you can read right here.

Richard is an artist based in upstate New York. His illustration career began in 1993 while still an undergraduate at The Columbus College of Art and Design, and since then, he has worked for a variety of clients in the editorial, book, advertising, institutional and comic industries, including The Wall Street Journal, Playboy, HBO, Sports Illustrated, Dark Horse Comics, DC Comics, Marvel Comics and many more.

The two creators met in the inaugural online Introduction to Comic Book Writing course in 2009, and both of them continued to develop their writing skills in the 2010 Advanced Comic Book Writing course. Their collaboration on Deluge followed thereafter.

In yet another Comics Experience connection, the book is also edited by CE staff member and alum, Paul Allor.

According to the publisher's website, MoonShot Digital Comics is a creator-owned publisher who "seeks to discover, develop, and publish new talent" with a focus on digital publishing.

MoonShot is the brainchild of George Lentino, a former Nickelodeon executive. You can read an interview with George in a SciFi Pulse interview right here.

Congrats to J.D. and Rich on Deluge!



If you want to make comics, write or draw comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Monday, November 7, 2011

GUEST BLOG: J.D. Oliva on his New Project "Deluge"

In this guest blog, writer J.D. Oliva, Comics Experience alum and Creator’s Workshop member, talks about his new project, "Deluge," his related Kickstarter campaign, and how Comics Experience helped get the whole project underway.

Growing up the only things I had ever dreamed of were making movies and writing comics.

Like most teenagers in the mid-90's, I fell out of love with comics, but came back in the mid-2000's. Soon after that, my love for writing comics returned and I immediately started pitching ideas to any and every company I could. And I failed with each and everyone.

It soon became apparent to me that I wasn't doing things the "right way." What I mean by that is I wanted to be a comic writer but I had no clue how to get my start. As I learned, most comic companies don't take blind submissions, nor will they take a risk on an unproven writer. They wouldn't talk to you unless you'd been published, but how could I get published? I was confused and frustrated.

I joined Twitter in 2009 and started following some of my favorite creators and editors. I started to get a greater understanding of the business.

Then came the day that changed my life. I saw that Andy Schmidt was taking his Comics Experience courses and bringing them online. This was the perfect opportunity.

In Andy's six week Into to Comic Book Writing course, I learned more about the comic industry and the craft of writing than I could possibly have imagined. It was easily the best $500 I had ever spent. By the end of the class, not only had I completed a 5-page script, but I actually published that story in my class's Tales From The Comics Experience anthology. But the biggest impact was that I now had fourteen new friends and collaborators who shared my goals.

When the opportunity arose to join the Comics Experience Advanced Writing course, it was a no brainer. As part of the advanced class, we were tasked with creating a full 22-page script. During that first advanced class, I was struck by an idea that had been banging around in the back of my head for a couple years.

In the summer of 2008, I spent a month in New Orleans working on a short film. I was amazed at the level of devastation that was still present so many years after Hurricane Katrina tore through the Gulf region. One night, while out in the French Quarter, I saw a police officer smash his nightstick against a drunk man's jaw. I had never seen such use of excessive force, especially so out in the open. I was even more floored by the way the people of New Orleans didn't seem to care. It was almost as if this kind of thing happens all the time. (Turns out it does).

Later that night, my director of photography told me a story that he had heard. After the storm, apparently a group of disgruntled cops took to the flooded streets in motor boats and were actually gunning down the criminals that were stranded on their rooftops. "That would make a great story," was my first thought, and for a couple years after, I would kick the idea around for a bit but couldn't find the right hook to make the idea work. While I was horrified by how excessive those police were, I feared that there wouldn't be enough sympathy for these criminals. Then it hit me, "what if the main character is an undercover FBI agent stranded in New Orleans?"

With that revelation, the characters began to take on life and with the support of Andy and my classmates, I created the first issue of what I envisioned as a three-issue miniseries. I was surprised at how well my classmates and Andy himself responded to the material. I even received a pretty favorable script review from Peter David as part of the new Comics Experience Workshop. Encouraged by this, I decided to make the story, entitled Deluge, a priority.

My first act was teaming up with Richard P. Clark, a fellow classmate who happened to be a professional artist. Rich's realistic style was a perfect fit for my story and I decided to make a pretty solid investment and hired Rich to design a pitch package.

When Rich delivered the pitch package, I was blown away by his work. I thought it was only a matter of time before I had my first miniseries in comic shops across the country. Of course, reality slapped down my idealism. (Or naiveté?) Our pitch was turned down by just about everybody and, of course, I just figured it was because I sucked. I knew it wasn't Rich's art, so it had to be me. But I kept on and eventually I found a brand new publisher who was willing to take a chance. So that was it, I am in the door, right? Not quite.

Andy had dropped the bombshell on us several months earlier, so I knew that if Deluge was ever picked up as a creator-owned title, I was going to have to pay for the book to be produced. Knowing what this was going to cost, I always figured it was a problem for "Future J.D." and he would figure something out. I don't think people realize that Creator-Owned Comics are Creator-Funded comics. Even if Image had picked us up, I would still be in the same predicament.

Well, here I am, with the opportunity I've dreamed about for years and the only thing slowing me down is money. But isn't that what's stopping just about everybody?

So, what Rich and I have done is launched a Kickstarter campaign to try and fund half of the book's budget of $6,000. Coincidentally, according to the Kickstarter panel at New York Comic Con, that is also the average amount raised for comics on Kickstarter. Naturally, I figured it was finally the time when being “average” would be just fine. And again, reality steps on my head.

Here we are with just over one month to go on our Kickstarter and we're not quite 25% of the way funded. Which is frustrating because if we can't reach our goal, we don't receive any of that pledge money. Needless to say, I'm a little nervous as we're drawing toward the close.

As gut-wrenching as the waiting has become, I can't help but feel happy and proud at how far I've come in such a short time and how much I really owe to Andy Schmidt and Comic Experience. It literally changed my life.

J.D. Oliva
Writer, Deluge
Comic Experience Alum and Workshop member

To check out the Kickstarter campaign for Deluge, click here!


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

Sunday, October 9, 2011

GUEST BLOG: Dan Rivera Offers Tips on Editing Anthologies!

In this guest blog, Comics Experience alum and Creators Workshop member, Dan Rivera, discusses his new project, Don't Be Afraid, and offers tips for editors of anthology projects. Dan will be at Booth 2939 at New York Comic Con, in the Small Press Section, so make sure to stop by!

In October 2010, the members of Elevator Pitch Press (comprised of a group of Comics Experience alums from the first online Intro to Comic Book Writing class) were talking about what to do next after our first release: Tales from the Comics Experience.

We decided to do an anthology of zombie stories married with historical events, and that led to the three issues of Great Zombies in History (GZiH) that came out earlier this year.

We also wanted to have another anthology that was tied to a singular theme. Many names were bandied about, and we settled on the theme FEAR. However, our energies were completely invested in the GZiH books, so “FEAR” fell by the wayside. Time passed and some of the EPP members had other commitments and had to pull out.

Last March, I attended C2E2 in Chicago and spent a fair amount of time in the Artist Alley and Small Press areas. After looking at the various books that were being sold (especially after having seen some of the finished GZiH stories), I felt that we at Elevator Pitch Press could put something out that would be just as good as anything being sold at that con.

Emboldened by a newfound confidence, I emailed the group and offered to take the lead. This was the first time that I took charge of anything since my high school yearbook.

Thankfully, working with these guys has been a pleasure. The level of professionalism in this group would impress any editor in the industry. Everyone got their stories to me in time for the book to be ready for New York Comic Con.

The hardest aspect of getting this book together was deciding on a title. After seeing the cover by Darick Robertson (Transmetropolitan, The Boys) and Richard P. Clark, the one thing that came to mind was...Don’t Be Afraid.

While I am no expert on editing, I did take away some important lessons from this experience:
  • When editing an anthology for and with other writers, try not to be a dictator. You must respect that the other creators have invested their time (and in some cases, money) into their stories, so they have as much equity in this project as you do.
  • If there is an aspect to the creative process that you are not completely comfortable with, don’t be afraid to ask for help. Graphic design is not a strength of mine, so I was able to get logo/lettering/design master (and Creators Workshop member) ET Dollman to help me lay out the book and get it to the right printing specs.
  • When developing a set of deadlines, give yourself some wiggle room because more often than not, there will be some hiccups along the way. An artist can flake out, a writer might want to tweak a line of dialogue, or life can just get in the way.
  • Communicate, communicate, communicate. I can’t stress enough how important this is. In fact, I feel this is an area that I must improve on for future projects. If something is holding things up, let the other creators know. If you think something in a scene doesn't work, let them know. It gives the creators confidence in you, and will result in a better product overall.
  • Find a printer that you are comfortable with. Do not settle for a printer solely because of one person’s recommendation. Make the extra effort to compare prices and turn-around time. Find out if they will provide a proof. You will be surprised at the varying degrees of customer service and overall product quality.
If you are attending NYCC, check out Don’t Be Afraid at the Elevator Pitch Press Booth -- #2939 -- in the Small Press Section.

Dan Rivera is on Twitter as @danriveraprime and can be reached via email at nuyoricansol@gmail.com. His webcomic, Platinum Falls, will be live in 2012.


If you want to make comics, write, draw, letter, and color comics, or improve as a comics creator, you'll find like-minded friends and colleagues in our online workshops and courses. We hope to see you there!

Posted by Rob Anderson
rob@ComicsExperience.com
Twitter / Facebook

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