How do you get a job working at Marvel Comics?
Rosemann offered several pieces of advice for creators hoping to get on Marvel's radar, including:
Publish Great Work
The most important thing, Rosemann said, is to publish great work, and use it to get noticed.
When editors read Our Love is Real, Rosemann said, "It was amazing, and we knew instantly that he had the stuff. And then we sought him out."
And as Humphries' example showed, the size of the publisher is less important than the quality of the work. If it's good, Rosemann said, people will notice, and talk about it.
"Sure, it helps if it's a known publisher like BOOM or IDW or DC or Vertigo or Image," he said. But mainly, "it just matters that you create incredible work."
Do Your Own Thing
But, he added, that incredible work should come from the heart, and not be designed purely as a way to make it into Marvel.
"Don't just chase the brass ring," Rosemann said. Instead, he said creators should follow their own passions, and create stories that mean something to them, even if it's not a genre or style that Marvel traditionally uses. "Do great work and we will find you."
...But be Ready to do Marvel's Thing
"Don't work forever and ever on your Power Pack pitch," Rosemann said. "It's not going to happen. But be ready when someone comes to you and says, 'do you have a Spider-Man story?'"
Rosemann noted that many Marvel creators have made this transition, and proved to be equally adept at personal, creator-owned work and large franchise stories.
"If you look at a lot of the big names at Marvel, they started out doing very small, quirky, indie things," Rosemann said. "And now they're working on our biggest heroes."
Be Professional and Dependable
By the time a creator gets his or her first gig at Marvel, Rosemann said, they should already be working at a professional level, both in the quality of their work and in their ability to meet deadlines.
"This isn't the tryout zone," Rosemann said. "I'm not going to say Marvel is the end-all be-all for every creator, but if this is baseball, we're the Yankees. We're the Dodgers. We're not the farm league.
"Hopefully by the time we bring in a creator we'll have seen what they've done through self-publishing or through working for another company. They've sharpened their skills, and built up to that point."
"We are starved for great talent," he said. "However it's no good if you're an amazing artist but you can't hit your deadlines on time. You have to be great and you have to be professional."
In conclusion, Rosemann said that he wants to see everyone succeed, and to have the same chance that he had to make his mark in the comics industry.
"The time is now, my friends. There's never been more opportunities. There's never been more chances to get your foot in the door," Rosemann said. "In comics, with every generation a new group comes along and takes control. So, it's your time. Keep plugging away, and don't take no for an answer until you get that yes."
Other topics discussed by Rosemann included:
* Convention etiquette
* The possible future of Marvel's cosmic characters
* What an editor does day-to-day
* The way different books present different editing challenges.
* Marketing comics in the current environment
* Marvel's efforts to bring in new readers
* Matching the right creators to the right characters
As an Editor, Bill has worked on projects such as Avengers Academy, Guardians of the Galaxy, Nova, New Mutants, Thunderbolts, Hawkeye & Mockingbird, Secret Warriors, The Thanos Imperative, Black Panther: The Man Without Fear, Marvel Zombies, Mystery Men and many others.
Comics Experience Creators Workshop sessions take place every month, giving members real-world knowledge that will help them succeed in their comics career. Additionally, the monthly Creators Workshop Book Club sessions feature guest writers and artists discussing the craft and art of comics, as well as the business side of things.
There's still plenty of time to sign up before the next session. We hope to see you there.
--Posted by Paul Allor
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