Snyder comes from a prose background; before his comics career began, he earned an MFA in fiction from Columbia University and wrote a collection of short stories called Voodoo Heart. Snyder said that early on in his comics career, he realized that narration could be used to carry his writer's voice and sense of wordplay over from prose to comic books. It also allowed him to use unreliable narrators, and create a conflict between the words and images on a comics page.
But in prose, there are no images, and the entire story is communicated through narration. By contrast, in a comic book the narration and the images are separate, allowing creators to provide contradictory information in a single panel.
"That conflict of what you're hearing in the narration and what you're seeing is something that was so exciting about comics," Snyder said. "It's something I'd like to do in prose, but in prose it's so tricky whereas in comics it's so glaringly fun."
But Snyder said that aside from having an unreliable narrator, there is another, more important reason to use narration.
"Make it personal," he said. "It doesn't get any more personal in comics than a character talking to you." And yet, he noted, narration is often used for exposition; for characters to provide backstory or fill in the plot.
"Use it to try and tell stories or give confessional details or things that surprise people. Use it to establish character," Snyder said. He noted that in Bruce Wayne's narration, "he tells you things that are metaphorically very personal, even if he's talking about a tripwire, or even if he's giving you an information lesson about the history of a building in Gotham. He's really telling you something about how he's feeling."
"If you tell an emotionally gripping, or at least an emotionally enveloping story, if you get the reader to love that character on the opening pages, they'll follow you through the rest of the book, even if it doesn't have explosions and vampires and all that stuff, because they'll know it's coming, and they'll feel a sense of engagement with that character," Snyder said. "So for me, narration is a really powerful tool for that. Not for exposition, not for catching up the reader – but to be incredibly intimate."
This was just one of many topics in the 90-minute book club session. A recording of the full session will be available to Creators Workshop members for the next few weeks.
Those interested in learning more about Scott Snyder can check out some of his other work, including Batman and Swamp Thing from DC Comics, and Severed (with Scott Tuft) from Image Comics and Iron Man Noir from Marvel Comics, as well as Voodoo Heart, a collection of prose stories.
Creators Workshop Book Club sessions take place every month, featuring guest writers and artists discussing the craft and art of comics, as well as the business side of the comics profession. Additionally, monthly workshop sessions feature special guests giving members real-world knowledge that will help them succeed in their comics career.
Our next live Workshop will be held Tuesday, February 28, 2012. We'll be joined by special guest Drew Gaska to discuss how he single-handedly acquired licenses to Planet of the Apes and Space: 1999 from Fox.
Read more about this great upcoming guest right here.
There's still plenty of time to sign up before the next session. We hope to see you there.
-- Posted by Paul Allor
Posts
